The weakness of certainty is strengthened by beauty, proportion and harmony..
This comes through our eyes to the soul, where the restructuring of the diffractions redraws the evanescent reality.
The poetry of the lines imitates the music of forms and everythig is seen through the lighto of geometry
Seeing reality again leads us to the sound of the music of the spheres where the just measure rings the way until it rumbles inside the bell of proportion.
Everything becomes one again and one returns to be everything and more by the multiplier effect of Laser mirrors, perfuming the sensations.
In Gestalt we say that “the whole is more than the sum of its parts”. Everything exists and has meaning within a specific context, nothing exists by itself, isolated. Gestalten dixit
If you can identify a polarity between the lens and the spiral geometry (biomorphic elements of Islamic art) with the golden triangle inscribed within the diffraction pattern of aperiodic quasicrystal Al-Cu-Fe. This forms a crown of pentalphas in an integration of the geometric basis of ten peripheric pentagons surrounding the sacred decagons.
Many versions between beauty, preconcepted, and many versions between it and the geometry of Φ and Φbonacci are tied by harmony, endless circling pentapointed stars, indicating connections between the worshipers, repeating the sound, a sound a significant number and the symmetry of the peripheral space harmonic.
The sky is full of stars (suns).
Each in its home galaxy.
In our universe an Al-Cu-Fe quasicrystal of 4.35 billion years (a speck of atyrquita) is represented by its aperiodic diffraction pattern.
That speck unitarily are you and me, and between all we configure the Creation in an harmoniously and equivalent form. Multiplicity is shown on the unit and it can be found on the unit.
Diffraction pattern of a quasicrystal Al-Cu-Fe, is now a part of the interstellar DC universe since 1983 and its compositional module unit, morphogenetic mother of the diffraction.
It is the geometric pattern of Girih Islam mosaics, as well as Φ and ΦBonacci it is the geometric order of the representative module of the quasicrystal and the galaxy that contains us.
Professor Dan Shechtman was rewarded with the Nobel Prize, providing another dimension in crystallography, such as the formation of aperiodic pentagonal quasicrystals, shaking the board of science.
Let us return for a moment at the beginning, where we said that “the scientific evidence, is based on four overlapping truths exactly alike.” Whereupon in the scientific demonstration, you can spare some reasons and take the last one which is the geometry of Φ and ΦBonacci, the lowest common denominator of the Universe pattern.
It´s enough to see that the diffraction pattern of a quasicrystal is similar to a Girih mosaic of Islam which in turn is identical to the structure of a quasicrystal meteoric of extraterrestrial origin.
All fits and makes up a world of “perfect” geometry with ΦBonacci Φ, the Golden Number and the Golden Triangle and besides all that, everything related to this subject, although it may haven´t been yet discovered.
So the quadruple diffraction fits and creative homologous may run in reverse.
Until then, the rest will be demonstrating the morphogenetic Hypothesis for creating metal from design. Arduous task if any.