SUMMARY AND CONCLUSIONS

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(In 1675 sir Isaac Newton wrote ):

“If I have seen farther, it is because I have gone on the shoulders of giants.”
According to the journal Reports on Progress in Physics, the discovery of quasicrystals was announced in a mineral called hatyrkita discovered by geologist Valery Kryachko in 1979 in the river Khatyrka in Chukotka, Russia.

Analyzis conclude that the geologic piece belonged to a type of meteorite known as carbonaceous chondrites and had fallen on our planet at the dawn of the solar system, circa 4.5 million years ago.

To settle doubts, an expedition was sent  to the Koryak Siberian mountains and after six weeks of work done, the team found a speck of metal that not only contained quasicrystals, but showed the same isotope ratio of oxygen to the sample found by Kryachko.

Likewise the team isolated a factor of nine samples of quasicrystals that would have belonged to the same meteorite, which were  dragged to the area during the end of the last glacial era pre 15,000 years ago.

First conclusion: nothing belies morphological virtues of quasicrystals under the phi “perfect”order pattern  and the  laws of growth according to ΦBonacci as any other living thing on the planet, despite having come to them by the laws of casuistry of the discoveries. No expense in the “eureka” of Archimedes, nor in Schechtman´s. God can be reached  from scientific faith or reason or by empathy with the esotheric, under a strict pythagoric logic..

Second conclusion: The meteorite quasicrystals came with the seal of God, can someone doubt this?
To say quasicrystals is to say, the pristine structures 4.5 million years ago or more, where the seal was permeating Φ near the origin of creation

Third conclusion: Without losing  ecumenism potential  with similar beliefs, the question is not to argue with the “ measure” but with the complexity of geometric interlace. The unit appears  in the multiplicity and it is in the found of the unit.

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PATTERNS

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Wienner´s pattern

They are interwoven cycles of modules or linked to the universal pattern for Φ and ΦBonacci by  the sum of sources that  reflect the structure of nature.

The theoretical overlap of all plots, indicate us that they belong to the same universal pattern and proportion that is Φ and ΦBonacci, now it seems that this simplifies all.

Let’s say we found, at least, the common denominator of the Labyrinth ..

This is enough to find the exit, but we had to locate the missing frame to weave some dispersed knowledge.

We tried almost everything (Wiener, the fractalic Tchow, the Leys, Curry and Hartmann patterns) where Φ is always the link. This was not enough, for the perfection of the Creator´s work was not fully understood. This was going to happen from the recent discoveries of quasicrystals and their electron diffraction patterns with the scientific perfection of the X-rays and CT scans of the crystals.

patron de difraccion electronico de un QC aperiodico, 1

We also discovered that all frames and the sum of them governed by Φ. lead us to power poles, proportion and harmony,

We stand out as unique and amazing results that we obtained on the basis of said diffraction pattern: node joining or simply allowed to get the “stuff” the more, the researched knowledge, it was always there, as Gautama said … .el water around us to quench your thirst, you just have to take it and …… drink.

. So you can see.

1 Rare (briefly known) or gold golden triangle.

2 On the previous which is morphologically an arm of Φ, we can build around his outer perimeter to anchor your eye in this wonderful, right on a node structure diffraction.

3 From node to node, close not one but infinite Pythagorean triangles 3, 4, 5.

4 In this realm of Φ and ΦBonacci the pentalfa from its star that shines is not one but endless, thanks to the pentagons, where the divine proportion (1.618033) all arms structure,.

3,4,5, 1

MEANS OF COMMUNICATION.

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Ratio generates the just measure. This is demonstrable and verifies the”truth”.

When man discovers and assumes the existence of God’s number (Φ, Phi, 1.618033)that is the geometric tool to reconfirm exact truth, the alleged theory, only alleged, that mathematically reconfirms with the triangle 3 4, 5 (shown by Pythagoras) and then used as an act of faith in proportions generating the resulting coherent harmony.

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When a diffraction pattern prints on paper and in our retinas a reading of crystalin or quasicrystalin order, for a particular and very specific metal alloy. When to this composition we add the frequency of weaving ΦBonacci Φ we have a symphony within the plot of  light (which are photons) and the frame i-photonic, which is the information:in principle we would be doing  music. This is the balance within the penta- frame of – sounds. We would have to figure how tones are adjusted to compose harmoniously.

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With proportions and enhanced by the golden relations, we would be spreading the perfection of God and endorsed  in all Nature: Creation itself.

Up to this point, we have showed that the divine proportion (the golden ratio) and geometry of the shapes in an analytical state of perfection, lead us to beauty, harmony

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There are other frames other that the already stated, there are also other means, beyond  morphological ones. Information frames through the use of light (photons,)  sounds ensembled using music, these are the musical notes. Also information frames of digital bits using binary language, where all the message is reduced to 0-1, zeros and ones. This  computer spear allows the universal intercom with i photons.