Why they were hidden since the Islamic times?
How many windows remain closed on purpose, believing that the subject, is not the object?
How much longer will “the groups of silence” hold hands, minds and eyes looking from the end of the world to light the truth of everything and despite almost everyone?
In our previous chapter: Evolution of energy routes within the frames of Wiener and others, where by summation, overlap and competition, we detected and potentiated the effects to blow up the flow of results.
Until then, we walked controversial ways. But we discovered the (morphology of quasi crystals with a lucid eucledian post geometry), where perfection in Φ and Φ Bonacci, suggest that if we add the results of the previous chapter to own the perceptual benefits of this analysis of the quasi crystals would be opening a path of re enhancing effects that will allow us to see more and more away, as if we were using an intellectual Hubble.
Girih tiles of Islam (from X to XV centuries.)
Remember in the Renaissance in the fourteenth and fifteenth centuries Borromini, Bernini, Brunelleschi, crowned with domes clerestories, spherical triangles which are then painted with figurative motifs of human, saints and orchards.
Islam forbade the human figure, animal or any other figurative subject, so that believers would not fall in idolatry. Hence it is difficult to find religious figurative representations within the Muslim culture. This led, in turn, to a large development of geometric and plant motifs with increasing degree of abstraction, defining ornamentation in Islamic art. All this representation of geometric purity was about as great as unknown were the origin of its bases..
The curved surfaces of the intrados of the arch or the interior of the scallops or vaults, should be systemized geometrically modulated in response to the curved shape to be coated as a periodic pattern.
This materialized with no equal pieces responding to glazed ceramic tiles called nonrecurring Girih (of Islam) designs.
The morphological quasi periodicity is an intrinsic property of the (Girih tiles) for non figurative covering Islam as vaulted spaces and endings of each of its architectural corners where these ceramic modules, synchronous and non-recurring adapted to the infinite and rich curvatures of dematerialization of walls, domes and arches.
(The aforementioned morphologies maintains a correlate with patterns of the quasi atomic diffraction of crystals (Al Cu Fe). )
Geometry rules the order of Nature.
Euclid grouped the 5 solids and on an interpretation of geometry that bears his name (Euclidean), the basic concepts of the puzzle.
These were consolidated with the acceptance that crystals of metals of the periodic table of Mendeleyev (Russia 1834-1907) belonged to the same pattern of a crystal diffraction where the distribution of bright dots describe the arrangement in accordance with a hexagonal pattern.
The pattern of a quasicrystal of Al, Cu, Fe, was discovered only in the late nineteenth century, until then denied.
This belated merit was assigned to the recent Nobel Prize in Chemistry: Daniel Shechtman for his discovery of quasi crystals in 1982, when he found an alloy of Al and Mn, which apparently had a symmetry of order 5, forbidden until then in mathematics.
Remember Euclides? Can you imagine how much science as “modernism” has passed under the bridges?
For example . Shechtman “discovered” quasi crystals.
The traditional method for the growth of them, is based on the rapid cooling of molten metal so that the atoms do not have time to access the equilibrium positions corresponding to the common crystalline solids.
Returning to the geometrical morphologies of quasi crystals vs. periodic crystals. We met diffraction patterns of crystals (Euclidean) vs. quasi crystals (Shectonians).
The first match hexagonal morphology geometric pattern.
The second, for centuries ignored, respond to a pattern of diffraction of pentagonal-geometric (quasi crystals of Al Cu Fe)
The pattern of electronic diffraction quasi crystal Al Cu Fe, is the largest example of perfection in Φ and Φ Bonacci morphologically that Man has discovered on the planet until now …….
We just let it flow from inside out, the light of creation clearly drawn “in Φ tone ” to correct human measure interpretation.
Everything else, then will be transparent and the light of knowledge from Phi code and Φ Bonacci elucidate the way to understand the whole.
. Certain geometric virtues cohabit superimposed in the Energy Routes.
. Wiener lines containing the guidelines of all Phi-proportional designs within the virtues of Φ and Φ Bonacci.
. The Leys routes.
· The Hartmann and Curry lines.
· The poles concurrency and polarization energy in the frame of Wiener.
· The matching frames of Scottish tartans and kilts.
Evidence shows that where electromagnetic energy flows and a significant building is erected there, based on a consistent geometry in Phi Φ, the resulting energy behavior, flowed, optimized for enhanced ways of proportions Φ and energy nodes conjunction, eg. Tikal, Cheops, Oseireón, San Stefano Rotondo, Chartres, Parthenon, etc. or just the wooden ceiling of the Chapter House in Mc. Gough Castle in the northern Highlands. (While the electro magnetic axis remained stable, there wasn´t the inevitable danger that ran with the translation of the consistent geodesic alignment).
Beauty and Harmony, depend on an understanding of man.
This knowledge would be accelerated from the man acceptance of this “lowest common denominator” the number of God: 1.618033, the rector of the proportions and “vector power” that is Φ.